gh5s vs a7sii low light

Panasonic menus tend to be much more straightforward, with bright colours and clearly defined categories for the various features. If we get the chance to test the two cameras side-by-side, we will publish a full comparison. We were not asked to write anything about these cameras, nor were we provided with any sort of compensation. 00:22 (5 Feb, 2018) Panasonic GH5S vs Sony a7S II low light comparison. The A7s II features a microphone input, headphone output and a Micro HDMI port. Ethics statement: The information supplied in this article is based upon our experience with the Sony A7s II and a quick hands-on with a pre-productions GH5S. Unsurprisingly we begin with one of the most important differences: the sensor size. In our tests, we found that the GH5s was about a stop to a stop and a half better in low-light. To know more about our ethics, you can visit our full disclosure page. 5. Imaging Resource compared the new GH5s vs the A7sII: “At both 12,800 and 25,600, the GH5S looks slightly better than the A7S II at the same ISOs, which is both unexpected and subjectively highly impressive for a camera featuring a sensor that is a fraction the size of the other. The GH5s uses the Micro Four Thirds mount, making it compatible with a vast selection of lenses from Lumix, Olympus and third party companies. The second generation of A7 cameras, comprising the A7 II, A7r II and A7s II, was the first in the Sony E-mount range to integrate 5-axis sensor shift technology. The A7III footage is rarely usable beyond 52,200, but I’ve frequently used A7SII footage at ISO 102,400 and sometimes up to 204,800. In this case it is the larger sensor coupled with the low megapixel count that helps you achieve better performance. The GH5 is the first Lumix camera to feature the second generation Depth from Defocus contrast detection system with 225 focus points, a new motion detection algorithm and a 480fps drive speed. Finally, the GH5 comes with more controls, such as 20 function buttons (including the on-screen virtual buttons) and an AF joystick, though only the A7s II has a dedicated exposure compensation dial. The GH5s is the most robust camera of the two with a fully weather sealed body (dust, splash and freeze proof down to -10°C) while the A7s II is only dust and splash resistant. The Sony monitor can only be tilted up and down, is slightly smaller (3.0”) with less resolution and has no touch gestures. The A7s II can manage 5fps or 2.5fps with AE/AF tracking only. Both cameras have a maximum mechanical shutter speed of 1/8000s. Linked to the topic of sensor size is low-light performance, and in the case of the A7s II, it deserves a section all its own. Low-Light Performance. Finally the GH5s features two SD-card slots that are compatible with the UHS-II standard (faster writing speed). The GH5 is the first interchangeable-lens camera to feature 4:2:2 10-bit internal recording, which means it captures double the colour information (4:2:2) and 64 times the colour depth (10-bit). Using the Studio Scene tool over at DPReview, we an now analyze side-by-side comparisons of the GH5S and A7S II at various ISO levels. Not only does it surpass the GH5, but also most of the competition (apart from the Nikon D5 and the previous A7s). The two cameras rely on a contrast detection AF system. 02:33 (8 Jan, 2018) Sony a7S II Product Overview. You can record simultaneously to the two cards with the maximum quality (10-bit and 400mbps) or use the relay mode to start recording to the second slot once the first is full. Note that some cashback offers may be available in certain countries and at specific times of the year. lenses, the camera continues to use 5 axes on the sensor. The GH5 features an upgraded version with more entries per page and a more elegant/minimalistic design. The GH5s will retail for approximately $2500 / £2200 / €2550. More sensor area. Guide: Autofocus Settings for Sony A7 / A9. Our newsletter goes out every week on Sunday. Even after months or years of ownership, there will always be a setting or two whose location will manage to elude you due to its cluttered nature. The larger sensor allows for more dynamic range, and the fact that there are fewer pixels spread across a larger surface area means that each photosite is larger, enabling minimal noise and impressive sensitivity up to 102,400 ISO (expandable to 409,600 ISO). Some examples of features found on the GH5 that you must pay for and download for the A7s II are: However, to Sony’s credit, there is a wider selection of features (around 33 at the time of writing) and the apps are being updated all the time. Admittedly it remains to be seen whether the more power-hungry GH5 will drain it more rapidly. Unlike most recent Lumix cameras, the GH5s doesn’t feature 5-axis stabilisation and must rely on the OIS of select lenses or third party stabilisation systems. The Sony can record at 120fps by comparison. It is not the fastest in the Lumix lineup but it is the most sensitive at -5Ev. Within the article, there are affiliate links. The GH5 houses a newly developed 20.3MP Fou… Being a more recent release, the GH5 could have an advantage over the Sony camera but we need to perform a real-world test to confirm this. Looks like Phillip Bloom did a low light comparison GH5s vs A7r3 (s35 crop). They both features a magnesium alloy chassis. The Panasonic camera has more physical controls with 16 function buttons, a drive dial and an AF joystick. The GH5s uses the latest generation Depth from Defocus system with 225 focus points. The smaller sensor of the GH5s will render more depth of field with the same aperture which may displease those looking for the shallowest depth of field possible, but in other cases, can be useful. The A7s II sports a full-frame 12.2MP Exmor CMOS sensor. Link to post Share on other sites. Never has there been so much choice in the filmmaking world as there is today when it comes to compact systems capable of producing astounding video quality. Considering the gap in age between the GH5 and A7s II, it should come as no surprise that the Panasonic camera outperforms its competitor in most ways, from its advanced video specifications and design to its autofocus performance and burst capabilities. Larger sensor. Note that the audio in port can be used with a microphone or line in source. The Lumix is larger and heavier (138.5 x 98.1 x 87.4 mm and 660g) in comparison to the Sony (126.9 x 95.7 x 60.3mm and 627g). This is how Panasonic managed to improve the ISO range considerably in comparison to any other Micro Four Thirds camera on the market. Beyond ISO 52,200 this becomes fairly dramatic. You can get more colour sampling in 4:2:2 via the HDMI output but it remains 8-bit (the GH5s outputs 10-bit via the HDMI port). Thanks! The mid-tones and shadows all appear rather dark in colour. Better low-light … A sensor significantly smaller than the full-frame A7S II is beating that camera in low-light … If you decide to buy something after clicking the link, we will receive a small commission. Concerning 1080p and slow motion capabilities, the maximum frame rate is 180fps. Within the article, there are affiliate links. Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. Internally it uses the XAVC S codec with a maximum bitrate of 100mbps in 4K and 50mbps in Full HD. Panasonic GH5s with my Metabones Speedbooster XL 0.64x VS. Sony A7 Mark III. The Sony has several customisable Picture Profiles inherited from the Cine-Alta professional series. In our experience, the Sony was rather slow with anything that moves at a decent pace. The GH5s has a more well organised menu system with a My Menu page where you can shortcut your favourite settings, as well as a Quick Menu. Both cameras have a real-time LUT option to preview real contrast and colours rather than the flat look of the Log profile but only the GH5 has a waveform and vector scope built-in. The A7s II menu is more time consuming to navigate but the Fn menu with 12 editable slots is quite handy. This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5. Although the A7s II’s OLED electronic viewfinder has a higher magnification (0.78x vs. 0.76x), the GH5’s offers more resolution (3,680k dots vs. 2,359K dots). 3. Concerning the connection options, the A7s II has a microphone input and headphone output as well as a Micro HDMI port. Thank you! The GH5s features a new 10.2MP chip whose megapixel count is rather low by today’s standards but helps the ISO performance, which is exactly the same concept behind the 12.2 MP chip of the A7s camera. With the 4K or 6K Photo modes, the GH5 can record a 4K video at 60fps or a 6K video at 30fps and allow you to save any frame as a 8MP or 18MP JPG respectively. In our experience, Sony batteries, which haven’t grown any larger or more powerful since the original A7 was released in 2013, don’t last very long, especially if you shoot a lot of 4K video on the A7s II. Feb 6, 2018 permalink. 2 compatible cameras, it is more effective than the stabilisation of the Sony camera. The GH5s offers a normal range of 160 to 51200 ISO with extended values down to 80 and up to 204 800 ISO. The camera will include additional settings to control AF sensitivity, AF area switching sensitivity and Moving object prediction. It would be impossible to begin this comparison without mentioning the obvious difference in sensor size and resolution. That's about it. We were not asked to write anything about these cameras, nor were we provided any compensation of any kind. The A7s II has a single native ISO of 1600 and a range that goes from 100 to 102400, with extended values up to 409600. The A7s II uses an OLED panel too but with less resolution (2,360k dots) and a lower refresh rate of 60fps. Both cameras feature a Log profile setting but the A7s II has two of them (S-Log2 and S-Log3) that are built-in by default to the camera. Thanks to two separate firmware updates that will be available in mid-2017, it will be able to record this way with the IPB or All-Intra compression algorithm in Full HD at any frame rate and 4K up 30fps. The GH5s features an OLED viewfinder with 3,680k dots, 0.76x magnification and a fast refresh rate of 120fps. Where mirrorless cameras go head-to-head! It's significantly cheaper than the a7sii and absolutely eats it for lunch. Hey Richard, thanks for the reply. If low light is my primary reason for switching, does the XT3 offer enough of an advantage over the GH5, or would it be wiser to go straight to the A7III? The GH5s features a new 10.2MP chip whose megapixel count is rather low by today’s standards but helps the ISO performance, which is exactly the same concept behind the 12.2 MP chip of the … Panasonic GH5S and GH5 side-by-side. The GH5 will feature the Cine-Like D, Cine-Like V, Like 709 and Hybrid Log Gamma (HDR) profiles. The GH5 will record at up to 1080/180p, versus 1080/120p for the A7s II. HoustonTexan75. Although I have used and appreciated the great low light capabilities of the A7s II, I wouldn’t hesitate to get a GH5s for myself if I had to choose between the two. Concerning the rear screen, the GH5s comes with a multi-angle LCD that is 3.2” in size, has higher resolution (1,600k dots) and features touch capabilities. The same options apply for the Cinema 4K format (17:9) and you also get an Anamorphic 4K mode that works up to 60p (8-bit only). It is also worth nothing that the 4:2:2 10-bit option for the Panasonic is available in 1080p as well (200Mbps). Second, whereas the A7s II has a standard 3.0-inch tilting screen without touch capabilities, the GH5 comes with a multi-angle 3.2-inch touchscreen that flips out to one side. It includes all the positive aspects of its twin sister, the GH5: better ergonomics, a user friendly body and menu system, and all the settings you need for professional video, with the added benefit of better ISO performance which has been, up until now, one of the only real limitations of the system. Published January 16, 2017 By Heather Filed Under: Preview Tagged With: Preview. For this reason, we usually pack around 2-3 batteries for a full day of shooting. The GH5s has an impressive list of formats and codecs for video to choose from. Specifically, I'm looking at the detail and perceptible noise on the skiff docked behind bridge, man walking on bridge, railing on bridge, etc. Panasonic Lumix GH5 – Can it See in the Dark? Less expensive. The A7s II, by comparison, might become more of a niche product for those who desire that full frame look and require more extreme low light performance. In this section, We are going to illustrate Panasonic GH5S and Sony A7R III side-by-side from the front, back and top in their relative dimensions. The Sony camera has 4K capabilities (UHD – 3840 x 2160) up to 30fps and 1080p video up to 120fps. Panasonic GH5S vs Sony A7S II: Physical Specs and Body features Comparison Size and weight is a big decision factor when you are trying to find the ideal camera for your needs. The GH5 uses the same battery as its predecessor, the GH4, and it is one of the longest lasting batteries we’ve ever used on a mirrorless camera. On one side, the Sony has a full sensor out the box, amazing low light compatibility and has image stabilization with S-Log. In this section, We are going to illustrate Sony A7 III and Panasonic GH5S side-by-side from the front, back and top in their relative dimensions. 2 and in our experience with other Dual I.S. An unfortunate characteristic of Sony cameras is that you have to download a mix of free and paid apps from the Sony Play Memories store to have access to extra features which tend to be included by default on camera models from other brands. In our tests, we found the camera slower than those that use Sony’s hybrid AF – even in low light – despite the better sensitivity. The two leaders driving these technological advancements are Sony and Panasonic, which doesn’t come as a surprise since they have years of experience in the professional video equipment sector. lenses. For this reason, it has frequently been called the “low-light monster” of the camera world. As for connectivity, the GH5s again offers more versatility with a full sized HDMI port, audio in and out and a USB Type C port. Colorwise preference plays a big part […] Sony includes two in the box but it won’t be enough for an entire day of shooting. Panasonic GH5S vs Sony A7R III: Physical Specs and Body features Comparison Size and weight is a big decision factor when you are trying to find the ideal camera for your needs. Last updated: September 15, 2020 Go to Comments. Native means that it doesn’t require a change in voltage to amplify the signal and gives you the best image quality possible when it comes to dynamic range and noise. To combat noise in low-light, it uses 3-dimension colour control and precise noise reduction techniques at sensitivities up to 25600 ISO. Of course the larger sensor of the Sony should give better dynamic range and a lower signal to noise ratio. The larger sensor allows for more dynamic range, and the fact that there are fewer pixels spread across a larger surface area means that each photosite is larger, enabling minimal noise and impressive sensitivity up to 102,400 ISO (expandable to 409,600 ISO). There is also the option of using a battery grip. In 4K you can record up to 60p in 4:2:0 8-bit or up to 30p in 4:2:2 10-bit and 400Mbps. This might not be too big of an issue if most of what you’re filming is well-lit. ~ 8.40 vs 4.51 microns. Not sure why everyone keeps comparing the GH5s to the A7s2 b/c the low light comparisons clearly demonstrate the A7s2 is still in a league of its own. Bigger pixels. The A7s has a contrast detection AF system with 169 points (the nine central AF points are divided into 16 segments). Without I.S. Better low-light performance means you’ll be able to capture more with less. GH5 vs A7S II: Low Light Comparison. However, we cannot expect it to match the performance of the Sony, not only because full-frame sensors almost always outperform crop sensors in poor light conditions but also because the A7s II model was specifically designed for low-light work. 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